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The Horla, by Guy de Maupassant. They bring down the whole building on top of themselves. After The Horla , no more books. The Lifted Veil, by George Eliot. Who is more self-obsessed than the person who can see into the souls of those around him or her? With no mystery to them, what is the point of even talking to, or looking at, other people?

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The Lesson of the Master, by Henry James. The Coxon Fund, by Henry James.


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Oh Henry, oh Henry James! What did the English language ever do to you, that you felt impelled to treat it so, with such a stern yet loving hand? He bends it to his will as fiercely as any sadist in his Red Room, yet the contortions he produces are beautiful, the knots sure and certain, the strike of the whip exact; there is no charity in clumsiness, after all.

The Duel, by Giacomo Casanova.

Neil Gaiman Teaches The Art of Storytelling - Official Trailer - MasterClass

The Dialogue of the Dogs, by Miguel de Cervantes. Parnassus on Wheels, by Christopher Morley. The Awakening, by Kate Chopin. The Awakening feels just modern enough that I expect it to be more like the books that have come after it, that have happily played in the novelistic spaces it opened by force.

The Distracted Preacher, by Thomas Hardy.

The Lesson of the Master (Art of the Novella)

If he yields, then it turns into a romp. If neither of them yields, then we throw the book away in disgust. The Dead, by James Joyce The snow is falling, in the final line, and again in the line, the snow is falling, and seven times in that paragraph, but at the same time the language is rising, and your heart, reading it, is rising, and your eyes, too. It is the sweepings of the cutting room floor. It is a file of murdered darlings. Come back! Includes digressions on Sterne and wire loop games. The Duel, by Heinrich von Kleist There is no use expecting Kleist to give us clues as to the truth behind these paradoxes.

They are riddles, not mysteries. The Eternal Husband, by Fyodor Dostoevsky An exploration of the particular breed of male sexual rivalry that hovers between the co-dependent and the homoerotic. A Sleep and a Forgetting, by William Dean Howells The philosophical nub of the story is: is it better to live in blissful ignorance, or tragic knowledge? Bartleby The Scrivener, by Herman Melville There is something pitiable about Bartleby, but also something rather ghastly.

One we all study in school. Nothing else, so I was surprised by your introduction of him. You are commenting using your WordPress.

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Read e-book The Lesson of the Master (The Art of the Novella)

Notify me of new posts via email. Tales of Belkin, by Alexander Pushkin Taken together, however, they are, quite simply, not a novella. First Love, by Ivan Turgenev There is nothing here that is not thoroughly familiar, from literature and… well, if not from life as such, then perhaps from the habits of remembering one falls into as one grows. Adolphe, by Benjamin Constant My question, obviously, boils down to two things: what is the nature of the coherence or affinity between narrative and seduction? May Day, by F Scott Fitzgerald There is also — and this is something I shall store in my back pocket for creative writing classes — an utterly beautiful and exemplary use of the semi-colon.

The Duel, by Anton Chekhov It is the way these characters hate, desire, envy, despair of, consider and ignore each other that makes them human, makes them like us. The Alienist, by Machado de Assis Sometimes, at this distance in time, we can only stand and stare. The Lifted Veil, by George Eliot Who is more self-obsessed than the person who can see into the souls of those around him or her?


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  6. The Awakening feels just modern enough that I expect it to be more like the books that have come after it, that have happily played in the novelistic spaces it opened by force The Dead, by James Joyce The snow is falling, in the final line, and again in the line, the snow is falling, and seven times in that paragraph, but at the same time the language is rising, and your heart, reading it, is rising, and your eyes, too 8.

    The Eternal Husband, by Fyodor Dostoevsky An exploration of the particular breed of male sexual rivalry that hovers between the co-dependent and the homoerotic 2. Share this: Twitter Email Print Facebook. See our price match guarantee.

    Books Kinokuniya: The Lesson of the Master (Art of the Novella) / James, Henry ()

    See how a store is chosen for you. Loading, please wait Free 2-Day Shipping. This item isn't sold in stores. Help us improve this page. About this item. Specifications Number of Pages: Description Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers.